Acoustic for the Bridge School

The chronology's entry ends with a remaster series line that names the band, the date and the Bridge School Benefit, then opens a parenthesis of three labels, the last an info-file, which the line does not close. Eight objects hang with the night's entry on the chronology's page: an untitled PDF whose file name reads ad and an untitled image named the same, images whose markup titles are Backstage pass and Ticket, the second before a credit, an image whose markup title names Eddie Vedder before a credit and one whose markup title names Stone Gossard, and two untitled links into the chronology's remaster series, a zip and a text file. The names in those titles are the chronology's identification, not captions. The house holds two text files for the night: a remaster series file and its fingerprint list. The remaster series file heads itself with the band, the date, the benefit and the amphitheatre, spelling the place Mountainview, as one word. It gives its source as a pro-shot VHS passed through a step printed as a bare question mark to CDR and SHN, its lineage as SHN, WAV, dEQ and FLAC, and notes some pops and clicks removed, the sound EQ'ed for tonal balance and the volume boosted. Its seven numbered tracks are the lists' seven songs in the same order, and it dates its compilation August 2020; the fingerprint file lists seven FLAC files named as the tracks are. Mountain View comes down to one amphitheatre and one benefit both chronologies name alike, an attendance of 18,000 and a 35m that of the two chronologies only Five Horizons prints, a sold-out benefit that of the two notes only the chronology's tells, one list of seven songs, one account of revised songs, a premiere and a Steven Van Zandt song in both notes, eight objects under the date, and a remaster series file whose tracks follow the lists.