Angie and a Drum Solo

Seven objects hang with the night's entry on the chronology's page: an image whose markup title reads Ticket before a credit, and six whose titles name Pearl Jam, after the word Backstage, in two and Eddie Vedder in four, each before a credit. Who is pictured is the chronology's identification in its markup. The chronology's entry has no remaster series line, and none of the seven objects links into that series. The house holds one text file for the night, a ConcertInfo information file. Its heading, 115m included, and its notes are Five Horizons' word for word, one source with it. Its twenty-three numbered items run from "Oceans," marked as cut at the start, to "Baba O'Riley," with no encore marks. They give an improvisation on "Angie" an item of its own, mark the start of "Black" as snipped, put an item labelled Crowd after "Why Go," and join an improvisation to "Porch" before a separate Drum Solo. Measured against Five Horizons' setlist and information, it says, the recording lacks parts of "Oceans" and "Black" and songs that Five Horizons lists, "W.M.A." among them, a claim about the recording, not the concert. The file puts the concert's digitizing and clean-up on 12/15/99. The second Rotterdam night comes down to one hall named two ways, two attendances, sixteen set entries in each chronology, encores divided two ways, "Angie" and a drum solo in both notes, seven objects and an information file that repeats Five Horizons.