Some Words in Japanese at the Budokan

The chronology ends its entry with a remaster series line naming the band, the date and Tokyo, and Five Horizons ends its own with a line reading setlist scan, which it does not explain. The chronology's page hangs five objects under the night's heading: images whose markup titles read Ad and Setlist, one whose title names Eddie Vedder and credits a photographer, and two untitled links into the remaster series. The house holds four text files for the night, in two folders that carry the same pair: an information file of the remaster series and its fingerprint list. The information file opens with the band, the date and Budokan, Tokyo, Japan, and names two sources, one that starts from a microphone and ends on CD-R, the other beginning with a question mark and, the file says, likely a boot CD made from a DAT recording. Its mix takes the left channel from the first source and the right from the second, with glitches patched. Its notes say volume fluctuations were smoothed, the sound was equalized for tonal balance, the second source's speed was corrected by less than 0.01% to line up with the first, loud claps were removed and the volume was raised. Its twenty-three numbered labels fall in three groups that follow the chronology's set and two encores, less the Improv between "Satan's Bed" and "Go," and the fingerprint list names twenty-three FLAC files in the same order. February 20 in Tokyo, in these documents, is the Budokan named two ways, an attendance of 12,000 that of the two chronologies only Five Horizons prints, one run of songs counted as twenty-four entries and as twenty-two, a tag that both notes tie to Cheap Trick, some words in Japanese that both notes report, five objects and a house recording mixed from two sources.